Diane Schuur - Friends For Schuur (2000)

Artist: Diane Schuur

Title Of Album: Friends for Schuur

Year Of Release: Sep 26, 2000

Label: Concord Jazz

Genre: Jazz / Standards, Contemporary Jazz, Vocal Jazz

Quality: FLAC (Track+Log+Cue+Tau+Covers+Info)

Bitrate: Lossless

Total Time: 00:53:35

Track List:

01. Easy Living (Rainger, Robin) - 4:26

Stan Getz, Diane Schuur

02. I'd Fly (Cocciante, Drean, Seeman) - 5:07

Diane Schuur, Riccardo Cocciante

03. For the First Time (Goffin, Hirsch) - 4:44

Diane Schuur

04. It Might Be You (Bergman, Bergman, Grusin) - 4:58

Diane Schuur, Alan Bergman, Dave Grusin

05. Love Like Ours (Bergman, Bergman, Grusin) - 4:20

Diane Schuur, Dave Grusin

06. Red Cab to Manhattan (Bishop) - 6:01

Stephen Bishop, Diane Schuur

07. The Heart Never Learns (Casas, Dermer) - 4:19

Diane Schuur

08. Never Take That Chance Again (Bacharach, Tonio K.) - 4:41

Diane Schuur

09. It Had to Be You (Jones, Kahn) - 5:29

Ray Charles, Diane Schuur

10. I Just Called to Say I Love You (Wonder) - 4:35

Herbie Hancock, Diane Schuur

11. Finally (Andrews, Wonder) - 6:55

Diane Schuur, Stevie Wonder

Personnel:

Diane Schuur (vocals, piano); Stevie Wonder (vocals, harmonica); Ray Charles (vocals, synthesizer); Richard Cocciante, Alan Bergman, Stephen Bishop, The Rob Mathes Voices (vocals); Stan Getz (tenor saxophone); Alan Broadbent, Dave Grusin, Herbie Hancock (piano); Randy Waldman, Greg Phillinganes (synthesizer); Michael Landau, Michael Thompson, Dean Parks, Randy Jacobs (guitar); Charles Berghofer, James Hughart (acoustic bass); Tom Fowler, Alex Al (bass); Gregg Field, Harvey Mason, Peter Turre, Terri Lyne Carrington (drums); Paulinho Da Costa (percussion); Curtis King, Vaneese Thomas (background vocals).

AMG:

Diane Schuur, one of the greatest entertainers in the world, makes her Concord Jazz debut with Friends for Schuur and it is remarkable. Her multifaceted vocal artistry is featured in great company on 11 sensational songs including two "live" concerts that feature Ray Charles and Stevie Wonder. There is even a digitally reintroduced version of "Easy Living," featuring the great Stan Getz. Diane Schuur is regal and she's soulful, passionate, and playful and her avid listeners know immediately that her voice has all the right qualities: technique, range, and adaptability to pop, jazz, gospel, and blues. "I'd Fly" is a definite smooth jazz hit. She sings its sexy, but beautifully contoured melody, romantic lyrics with such yearning and passion that this late-night romantic ballad should land solidly on the charts. Her duet with Stevie Wonder on "Finally" is prime. Her "live" duet with Ray Charles on "It Had to Be You" is packed full of soul, and all the while, you know you're in the middle of something amazing. The great songwriters Alan Bergman and Dave Grusin place their inimitable stamp on the essential "It Might Be You" (Theme From "Tootsie") and with Schuur's heartfelt vocals, it clearly remains one of the best songs of the 20th century. Friends for Schuur brings you the new first lady of jazz at the height of her award-winning career. With it, Diane Schuur becomes the consummate entertainer whose dreams are forever intertwined with the greatest names in jazz and contemporary music.

Narod-Disk

Diane Schuur - Friends For Schuur

password: jazzclub

Bebo & Cigala - Lagrimas Negras

Label:RCA Victor

Styles: Latin music,Flamenco,Cuban jazz

Original Release Date: June 22, 2004

Quality/Bitrate: FLAC,CUE

Size: 220 MB

This album pairs one of the greatest latin music singers of today, cantaor Diego El Cigala, with one of Cuba's finest Afro-Cuban pianists, Bebo Valdes. With Valdes (father of the great Chucho Valdes) born in 1918, there's a 40-year age difference between the pianist and the singer, but they do a fine job crossing generations and oceans to discover the commonalities between Caribbean and the Iberian music, coming up with a romantic marriage of the two cultures using rumbas, guajira, sons and boleros. All the songs are classics out of the Latin music tradition, using just a handful of players in support. Valdes's fingers are delicate and prone to dramatic flourishes; Cigala's voice is pure flamenco in its hoarse intonation, cadence and emotional outpourings. The two masters make the union work by focusing on the drama of the love songs--"Veinte Anos," "Inolvidable" and the title track are just three amazing examples--as fuel for some of the most exquisitely passionate music to come out in ages.

1. Inolvidable 3:18
2. Veinte Anos 4:03
3. Lagrimas Negras 5:31

4. Niebla Del Riachuelo 3:06
5. Corazon Loco 3:16
6. Se Me Olvido Que Te Olvide 3:55
7. Vete De Mi 2:55
8. La Bien Paga 8:58

9. Eu Sei Que Vou Te Amar/Coracao Vagabundo 4:20

Rapidshare : part1 \ part2 \ part3

pass : rfccbh

Portico Quartet - Knee-deep in the North Sea 2007

Style: Modern jazz/ classical/experimental
Country: UK
Size: 73 MB
Quality: 192kbps cbr mp3
Length: 50:55
Tracklist:
1 News From Verona
2 (Something's Going Down On) Zavodovski Island
3 Knee Deep In The North Sea
4 Too Many Cooks
5 Steps In The Wrong Direction
6 Monsoon-Top To Bottom
7 The Kon Tiki Expedition
8 Cittagazze
9 Pompidou

Rapidshare
YouTube
Play the hang!
Portico Quartet are currently le dernier cri in London—awards nominations, MTV sync deals and top-end TV and radio sessions are being thrown their way like confetti. Knee Deep In The North Sea is the quartet's debut album and it proves to be great stuff, deserving of much of the media cavalcade.
Portico's USP is the inclusion of two hangs in the line-up. Two whats? Invented in the late 1990s by a pair of Swiss-based world music enthusiasts, the hang is a tuned percussion instrument which is a cross between gongs, gamelan and various other drums and bells. It can play up to nine notes tuned around a central deep tone. It looks like an elaborate Chinese cooking implement and sounds like a refined Trinidadian steel drum.
The musicians are young—aged between 20 and 22—and not long out of college, and Portico was originally conceived as a busking group. Their regular pitch was inside London's National Theatre and South Bank Arts Centre complex, a good place to win influential friends if you've got something unusual to offer.

The music, all of it original, is a cross between jazz and modern classical. It's mellifluous, exuberant and jaunty, full of catchy tunes and strong hooks. It's mostly through-written, with relatively little space given to solos (most of these by saxophonist Jack Wyllie), but it swings and has an informal, otherwise indefinable, jazz attitude.
The overall effect is light and feel-good, but it isn't bland. Wyllie from time-to-time essays convincingly, if briefly, into Albert Ayler-esque harmonics and multiphonics; there's a wide dynamic range (most of the tunes are mini-suites, each containing vividly contrasting sections); and the rhythms are sharp. And the hang is tuneful and fun.
from allaboutjazz.com
Michael Manring - Soliloquy (2005)

Jazz, Fusion, Bass solos
France
1. Helios (4:21)
2. Excuse me, Mr. Manring (3:55)
3. Solipsism (1:14)
4. I left America (3:07)
5. Greetings, Earthlings (4:50)
6. Makes perfect sense to me (1:03)
7. The light which puts out our eyes (4:30)
8. A morning star (3:15)
9. Selene (4:50)
10.Dabuda's memory (5:25)
11.When we were asleep in the earth (1:22)
12.The Orffyreus Wheel (4:51)
13.Insomnia lessons (3:56)
14.Come with me, my love (5:26)
iFolder: Part - 1:: Part - 2
Depositfiles: Part - 1:: Part - 2

Excuse Me, Mr. Manring:

Jean Derome and Louis Sclavis Quartet (2003)

Performer: Jean Derome and Louis Sclavis Quartet
Album: Un Moment de Bonheur

Year: 2003
Label: Victo
Genre: avant-garde / jazz / structured improvisation
Quality: mp3, VBR ~218 kbps
Size: 80 + 25 mb

Tracklist:
1. Tu dis tout de travers
2. Le baiser
3. L'errance
4. Pas a pas
5. Suite pour un bal
6. Jonas
Recorded live at 18-th International Festival of Actual Music at Victoriaville, 19 may, 2001
Line-up:
Jean Derome - flute, bass flute, alto sax, jew's-harp
Louis Sclavis - clarinet, bass clarinet, soprano sax, objets

Bruno Chevillon - double bass
Pierre Tanguey - drums, jew's-harp
moment it:
if1
if2
mf1
mf2

Viktor Krauss — II (2007)

Style: Jazz / Rock / Fusion
Country: Nashville, Tennessee, US
Lable: Back Porch Records
Release Date: February 20, 2007
Quality: APE (Image + Cue) / MP3 CBR 320 Stereo
Size: 250 mb / 101 mb (incl. 3% rec.info)
Playtime: 42:53 min
FileHosting: iFolder
MySpace / Official Site

Those who know Viktor Krauss primarily by his supporting roles with Lyle Lovett, Bill Frisell, Jerry Douglas, and scores of others, might be surprised by the eclectic range of the original music on his new recording II. On the other hand, listeners familiar with Krauss' remarkable 2004 solo debut, Far From Enough (Nonesuch), and attuned to the finer details of his recording and touring credits - with everyone from Carly Simon, Elvis Costello, John Fogerty, Emmylou Harris, and Graham Nash to Chet Atkins, the Chieftains, and Jewel - will find II quite consonant with that eclectic track record.
Although II is clearly kin to Far from Enough, it is less a sequel than a bolder and more colorful expression of Krauss' ebullient and multifaceted musical personality. From the low rumble acceleration into the gleaming guitar-driven glide of the opener "Hop", through six more richly textured instrumentals and three stunning vocal turns by Lyle Lovett, Shawn Colvin, and Ben Taylor, II reflects Krauss' restless curiosity and masterful ability to integrate his interests in film scores, jazz, rock, R&B, and pop.
"I wrote 'Hop' in 1996," recalls Krauss, born in Champaign, Illinois, in 1969, and now a Nashville resident. "I was influenced by the feeling of Tennessee as it turns grey in winter. Now I get visions of a jet moving down a runway, and when the full drum kit comes in, we've lifted off, and now we're coasting. It's one of the favorites I've ever recorded." - Viktor © / Reviews

Tracklisting:
01 - Hop [8:06]
02 - No Timel Like the Past [4:15]
03 - Eyes in the Heat [3:18]
04 - When She's Dancing [3:12]
05 - Pinky Ring [4:01]
06 - (I Could Have Been Your) Best Friend [3:40]
07 - Ecotone [4:05]
08 - Shine On You Crazy Diamond [5:03]
09 - Dudeman [5:14]
10 - Last Book [1:59]
Credits:
Viktor Krauss - bass, electric and acoustic guitars, keyboard instruments
Dean Parks - electric and acoustic guitars, cimbus
Matt Chamberlain - drums, percussion, electronics
with special guests: Shawn Colvin, Bill Frisell, Shweta Jhaveri, Lyle Lovett, Ben Taylor
produced by Lee Townsend
Engineered by Jason Lehning
Additional engineering by Adam Munoz, Fred Remmert, Jim Karwan
Assistant tracking engineer: Jason Mott
Assistant mixing engineer: Loredana Crisan

Mastering engineer: Greg Calbi
Recorded at Sunset Sound Factory, Los Angeles
Additional recording: Cedar Creek Studio, Austin; Fantasy Studio, Berkeley; KSPOR Traxx, Nashville; Emerald, Nashville; Sony Music Studios, New York
Mixed at San Francisco Soundworks, San Francisco
Mastered at Sterling Sound, New York
Download:

APE (Image + Cue): part 1, part 2, part 3
MP3 CBR 320 Stereo: part 1, part 2
password : wastedtime

Viktor Krauss — Far From Enough (2004)

Style: Jazz / Rock / Fusion
Country: Nashville, Tennessee, US
Lable: Nonesuch
Release Date: February 3, 2004
Quality: APE + Cue Sheet / MP3 CBR 320 Stereo
Size: 295 mb / 137 mb (incl. 3% rec.info)
Playtime: 57:21 min
FileHosting: iFolder.ru / RapidShare.com
MySpace / Website
Bassist/composer Viktor Krauss was born in Champaign, IL in 1969. He grew up listening to movie soundtracks and predominantly instrumental music. At the age of five, Krauss was encouraged by his parents to pursue an instrument; he chose piano, then added trumpet in the fourth grade. As a boy, Krauss sang in university productions, including the role of Amahl in Menotti’s opera Amahl and the Night Visitors. After attending a middle school concert, Krauss became inspired by the double bass due to its ominous sonic and visual qualities. Krauss had found his truest musical friend; quickly realizing that the bass was generally needed in any form of music, he became interested in idioms outside of the school orchestras. He started playing with local jazz groups as well as occasionally accompanying his sister, Alison, at fiddle competitions.
A friend approached Krauss during high school with plans for forming a rock band. His work with the group sparked an enduring enthusiasm for rock and R&B. Krauss became enthralled with groups like the Police, Marvin Gaye, Stevie Wonder and, most significantly, Led Zeppelin, and began prolifically writing pop and rock-based songs.

After high school, Krauss began studying bass at the University of Illinois. Finding creative avenues to be more rewarding, he completed his degree in music composition with an emphasis on electronic and tape music and minored in voice. His compositions included a work for bowed Fender bass, delay/echo, and voice; and a twelve-tone “serial” work for twelve-string electric guitar. While in college, Krauss along with Sean Smith (co-writer on two selections on Far From Enough) formed the Zappa-esque rock band Difficult Listening, which played university venues as well as listening rooms from 1989–1992. From 1992–1993, Krauss toured and recorded with Peter Rowan and the Free Mexican Air Force at Americana venues such as Mountain Stage and Prairie Home Companion.
Krauss began recording and touring with Lyle Lovett in 1994 and has worked with him for nearly a decade. The Lovett recordings on which Krauss plays include Step Inside This House, Songs From the Movies, Live in Texas, and selections from Anthology, Volume I. Lovett’s 2003 release My Baby Don't Tolerate, again features Krauss on bass and also as co-writer on "You Were Always There." Krauss and Lovett, along with Nashville pianist and producer Matt Rollings, collaborated on the score for the 2000 Robert Altman film, Dr. T. and the Women.
In 1995, Krauss joined Nonesuch recording artist Bill Frisell to record Nashville, which also featured Robin Holcomb, Jerry Douglas, Ron Block, and Adam Steffy. Krauss also joined Frisell on the recordings Gone, Just Like a Train (a trio album with Jim Keltner), Good Dog, Happy Man (with Keltner, Wayne Horvitz, Greg Liesz, and Ry Cooder), and The Sweetest Punch (songs written by Elvis Costello and Burt Bacharach, arranged by Frisell).
Krauss recorded several selections for Alison Krauss's, 1999 solo album, Forget About It, and also played on her 1994 record with the Cox family, I Know Who Holds Tomorrow. For the 1996 movie Twister, Krauss co-wrote and co-produced "Moments Like This" with Michael McDonald for Union Station. Jerry Douglas's Restless on the Farm included Krauss on bass, as did his record, Lookout for Hope. In 2000, Krauss recorded on Graham Nash's Songs for Survivors, a Russ Kunkel and Nathaniel Kunkel production. In August of 2003, Krauss recorded with John Fogerty for an upcoming release.
Additional recordings featuring Krauss include those of Eric Benet, Michael McDonald, Mary Chapin Carpenter, Nicole C. Mullen, Martin Taylor, Natalie McMaster, Michael Johnson, David Mead, Acoustic Alchemy, Maura O'Connell, and Gabriela. Krauss's live performances include shows with Jewel, Larry Carlton, Shelby Lynne, and the Chieftains. Krauss has produced two albums for rock singer-songwriter Jason White: 2000's Shades of Gray and 2003's Tonight's Top Story.
The Nonesuch release Far From Enough is Krauss's first solo recording; he calls it a "soundtrack without the movie." The record covers a vast spectrum of music that Krauss has enjoyed over the years. Krauss is an avid collector of pedals, vintage electronic musical equipment, and Tonka Volkswagens.

Solo albums by sidemen are notoriously hodgepodge affairs. Not so with Viktor Krauss's debut. Krauss has helped Lyle Lovett, Bill Frisell, Elvis Costello, the Cox Family, and dozens more redefine bluegrass, jazz, rock, and Americana styles. Now the bassist-composer brother of Grammy-laden singer Alison Krauss has his own all-star band and his own shimmering gem of a CD. The largely instrumental album's modern roots-music hybrids and wide-open sound yield some of the dreamiest passages since Daniel Lanois's 1989 classic "Acadie." As he has for countless others, Krauss contributes the intuitive craft and resonant beauty of his upright bass work. And as bandleader, he balances a melodic ease with the roughened grind of funky chops, pushing his crack crew -- guitarist Frisell, drummer Steve Jordan, dobro master Jerry Douglas on steel guitars, and violist Alison breathing wordless vocals -- in textured interplay. Though Krauss includes a chilling version of Robert Plant's "Big Log" (sung by Alison), cites AC/DC for inspiring "Tended," and pushes the fusionoid funk envelope on "Here to Be Me," his CD is more darkly evocative than raucous. But it would be a mistake to relegate this movieless soundtrack to background music - its subtlety is gorgeous.
Tracklist:
01 - For A Good Time [4:35]
02 - Far From Enough [4:03]
03 - Overcast [6:50]
04 - Tended [5:32]

05 - Philo [4:28]
06 - Big Log [5:07]
07 - Playground [4:09]
08 - Grit Lap [5:32]
09 - Sunday Afternoon Man [5:26]
10 - Side Street [4:03]
11 - Here to Be Me [2:11]
12 - Split Window [5:25]

Credits:
Viktor Krauss - bass, electric guitar, vocals
Jerry Douglas - slide guitars
Bill Frisell - electric and acoustic guitars
Steve Jordan - drums
Alison Krauss - vocals, viola
produced by Lee Townsend

recorded and mixed by Jason Lehning
recorded at Sound Emporium and Brown Cloud, Nashville
assistant engineer - Adam Munoz
mastered by Greg Calbi at Sterling Sound
Download:
APE + Cue Sheet:

From iFolder.ru - part 1 , part 2 , part 3
From RapidShare.com - part 1 , part 2 , part 3

MP3 CBR 320 Stereo:
From iFolder.ru - part 1 , part 2

From RapidShare.com - part 1 , part 2
password : wastedtime

Chet Nuneta - Ailleurs

Year: 2008
Style: ethno jazz
Country: France
Quality: 320 VBR
Size: 61 MB (5% recovery information included)
Web: www.chetnuneta.net & www.myspace.com/chetnuneta

Strong candidate for album of the year.
Tracklist:
1. a vus basin
2. ayazin
3. more sokol pie
4. llorona
5. erev shel shoshanim
6. khot ti shla
7. malka moma dvori mete
8. ya man laebat
9. kharmayn khagd
10. capelli
11. miinan laulu
12. sedyankata
13. simsambeba
14. lomalelale
Rapidshare

EVAN PARKER & TRANSATLANTIC ART ENSEMBLE - Boustrophedon

Year: 2008
Label: ECM
Country: UK
Genre: Contemporary Classical, Structured Improvisation, Free Jazz
Bitrate: 320 Kbps
Size: 134 mb

Tracklisting:
1. Overture (1:21)
2. Furrow 1 (8:09)
3. Furrow 2 (5:46)
4. Furrow 3 (11:07)
5. Furrow 4 (5:21)
6. Furrow 5 (8:20)
7. Furrow 6 (12:52)
8. Final (6:19)
Credits:
Evan Parker: soprano sax
Roscoe Mitchell: alto sax, soprano sax
Anders Svanoe: alto sax
John Rangecroft: clarinet
Neil Metcalfe: flute
Corey Wilkes: trumpet, flugelhorn

Nils Bultmann: viola
Philipp Wachsmann: violin
Marcio Mattos: cello
Craig Taborn: piano
Jaribu Shahid: double-bass
Barry Guy: double-bass
Tani Tabbal: drums, percussion
Paul Lytton: drums, percussion

Sharebee: part 1 part 2

Ars Cantus - Musica Figurata

Musica Figurata in Wroclaw and Silesia in the 14th and 15th centuries
Year: 2005
Style: Early music

Quality: 320 kbps
Size: 184 MB

Tracklist:
01 - Anon. - Sempiterna ydeitas
02 - Anon. - Mole gravati criminum
03 - Walter Frye - Ave regina celorum
04 - Paulus de Broda - Phfawn schwantcz
05 - Anon. - Bonum vinum cum sapore
06 - Anon. - Der fochs schwantcz
07 - Anon. - O lux luminis
08 - Anon. - Se grasse - Cum venerint - Ite missa est
09 - Anon. - Amis loial
10 - Philippe de Vitry - Colla iugo - Bona condit - Libera me
11 - Anon. - Mit ganczym willin
12 - Anon. - Gavisa grata - Frawt euch
13 - Anon. - Ave virgo sanctissima
14 - Peter Wilhelmi z Grudziagza - Predulcis eurus turbinis
15 - Anon. - Bonus tenor Leonhardi
16 - Anon. - Serena mente iubilo
17 - Peter Wilhelmi z Grudziagza - Panis ecce, Panis ewus, Pange exul, Tantum ergo
18 - Hayne van Ghizeghem - De tous biens plaine
19 - Anon. - O miranda nimis
20 - Martini - Ave soes et salus - La Martinella
21 - Anon. - Sanctissima virginum regina
22 - Anon. - Maria salve virginum
23 - Anon. - Salve festa dies
Rapidshare - part I
Rapidshare - part II
Axifile

Ars Cantus:
Vocal Quartett: Monika Wierczokowska, Piotr Olech, Maciej Gocman, Poiter Karpeta
Tomasz Dobrzanski, dir.

Antoine Busnois

Missa O Crux Lignum, Motets / Chansons
Orlando Consort

Year: 2003
Style: Early music
Quality: 256 kbps
Size: 120 MB
Tracklist:
01 - Motet Gaude caelestis Domina
02 - Chanson A une damme j'ay fait veu
03 - Chanson Amours nous traitte honnestement - Je m'en voy
04 - Chanson-Motet Resjois-toy, terre de France - Rex pacificus
05 - Hymn Conditor alme siderum
06 - Missa O Crux lignum - Kyrie
07 - Missa O Crux lignum - Gloria
08 - Missa O Crux lignum - Credo
09 - Missa O Crux lignum - Sanctus
10 - Missa O Crux lignum - Benedictus
11 - Missa O Crux lignum - Agnus Dei
12 - Chanson Ja que li ne s'i attende
13 - Chanson Vostre beautу - Vous marchez du bout du pie
14 - Chanson Est-il merchy de quoy on pueut finer
15 - Motet Incomprehensibilia - Praeter rerum ordinem

Rapidshare - part I
Rapidshare - part II
Axifile

Performers:
Robert Harre-Jones (countertenor),
Mark Dobell (tenor),
Angus Smith (tenor),
Donald Greig (baritone)

专辑：本土根源文化博物馆系列 - howking in beijing
艺人：臧鸿
出版时间：2003
制作：北京千思文化传播有限公司香港千思唱片有限公司
出版发行：中国科学文化文化出版社
叫卖大王臧鸿亲身经历
原汁原味呈现
老北京吆喝近八十种：祭神鲤鱼、艾窝窝、豆面糕、冰糖葫芦、元宵、小金鱼、太阳糕、酥饽饽、蹭油的、豌豆黄、黄花鱼、咸螺蛳（田螺）、茶歌、苣荬菜、桑树叶、江米小枣粽子、甜桃、扁桃、樱桃、桑椹、鲜菱角、西瓜、西瓜（秋天）、卖青菜、小葱韭菜、田瓜、凉粉扒糕、酸梅汤、鲜花、冰核、江米糖糕、藕、鸡头米、老玉米、豆汁、烧饼麻花、活螃蟹、修理雨伞、修理搓板、露锅焊洋铁壶、黄面火烧、甜葡萄、嘎嘎枣、麻豆腐、云豆饼、卖（换）竹帘子、煮豌豆、老窝瓜、鸭广梨、酱豆腐、臭豆腐、沙果、梳头油、雪花膏、茶壶茶碗、磨剪子、磨刀、五香炸花生仁、擦皮鞋、柿子、海棠、肉包子、卖报纸、玫瑰枣、落花生、腌雪里红、腌芥菜、石板缸盖、羊头肉、炸丸子、炸豆腐、水萝卜、硬面饽饽、狗窝铺帘子、烤白薯、玫瑰糖、卖破烂、黄豆芽、腊菜、菱角米、芝麻桔、松柏针、炙炉炒锅、口琴、年画儿、关东糖、石榴花、拔火罐、瓜子儿、年糕坨、送财神
叫卖大王藏鸿，年过七旬，8岁提蓝叫卖，仰仗吆喝谋生
后与天桥艺人切磋，的吆喝成为才艺绝活，

老北京吃的、喝的、玩的、用的、吆喝没有他不会的
老舍先生夫人、齐白石先生弟子胡洁青先生书赠“京城叫卖大王”。
以上是别人的介绍，我补充两句个人观点，这老爷子嗓门不错，有力道，京韵十足，声音浑厚响亮，多么深的院子都能听见响儿。虽然这里面吆喝挺全的，但也仅限于北京吆喝，稍微优雅简单点儿，那些绕口嚼舌，吹水费力的天津吆喝才是有更技术含量的，可惜这碟里没有。呃，它仍不失为一个比较全面的吆喝集合了，京胡吱吱呀呀的一响起来，走了西皮二黄，我们仿佛置身这逐渐没落的京城里，专心去做一场繁华梦吧。
实指望能从这张里听到经典的那段卖布头呢，结果没有，倒是祭神鲤鱼啊，送灶神啊什么的都挺全。
特此传上一段收破烂来当作试听， 2003" target="_blank">This way to listen to "Wastrel Reclaiming"

专辑下载
download
password: www.v1v1.cn

Jerry Rivera - Caribe Gardel

Year: 2007
Style: latin salsa
Format: mp3

Size: 77 mb
Quality: 256
1. Caminito
2. Cuesta Abajo
3. Por una Cabeza
4. Melodia de Arrabal
5. El Dia que Me Quieras
6. Yira Yira
7. Volver
8. Rubias de New York
9. Media Luz, A
10. La Cumparsita (Si Supieras)
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Yamato - The Wadaiko Drummers Of Japan

ethno, folk, japan drums

01. Yamato - Prelude
02. Yamato - Aozora
03. Yamato - Kurenai
04. Yamato - Kagiroi
05. Yamato - Kumo - Nagaruru - Hate
06. Yamato - Rekka
07. Yamato - Kumo
08. Yamato - Kurenai
09. Yamato - Yamato
Download
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Wadaiko Yamato: Drummers of Japan
Kodo - Drummers
Boomp3.com

本贴由[uranium]最后编辑于: 20日/11月/2008 14时46分32秒